Cadies Productions Ltd

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Cadies Productions Ltd

Cadies Productions Ltd was created in April 2004.

Robin Mitchell, who co-founded Edinburgh's Cadies & Witchery Tours in 1984, is the Director of Cadies Productions Ltd.

We have produced the following documentary films:  And So Goodbye (2004, 24 mins), The Rest is Silence (2005, 10 mins), Finding Bob McArthur (2007, 75 mins), Breadmakers (2007, 11 mins), The Scottish Parliament: Following the Ghost Road (2007, 35 mins), William McLaren: An Artist Out of Time (2010, 51 mins), About A Band (2010, 43 mins), A Tale of Two Syrias (2012, 64 mins) and a series of short films for Relationships Scotland

We have also worked with Edinburgh Director Keith Bradley on his horror feature Sacrificed (2008, 80 mins) and Jim Hickey's The Dungeon Moor Killings (2009, 80 mins). Our horror comedy The Download Horror (2012, 70 mins) was released in November 2012.

In between films, our Director Robin Mitchell has written one novel Grave Robbers, the top selling guide book What's Under the Kilt? and the children's book and stage show, Princess Pumpalot (The Farting Princess which was performed at the Edinburgh Festival Fringe in 2013 and 2014.

 

Latest News

The Italian Job

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It’s with great pleasure we can announce the Italian première of Princess Pumpalot: The Farting Princess with a stage production, based on the original text of the book, taking place in Northern Italy in June 2015.

The production will be performed by the Benvenuto Players - an English speaking Youth Theatre Group run by Theatre Producer Alison Parnell who will also be directing the show. The Benvenuto Players are well-known among the foreign community in the area and have been delighting the public with pantomimes and classical theatre for almost 30 years.

Students from the European School and other schools in the area will put on a production of Princess Pumpalot, The Farting Princess in Ispra on Friday 26th and Saturday 27th June 2015.

 

Tags: Festival
 

Our Fringe Venue is Sweet

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The venue for the 2015 Edinburgh Festival Fringe production of our children's show Princess Pumpalot: The Farting Princess is Sweet Venues (International 1), Apex International Hotel, 31 - 35 Grassmarket, Edinburgh EH1 2HS.

Situated in the centre of Edinburgh's historic old town in the shadow of Edinburgh Castle, the venue is run throughout August by Sweet Venues.

With the show taking place in the 4-Star Apex International Hotel in the Grassmarket, the facilities are of an excellent standard including (and this must be rare for an Edinburgh Festival Fringe venue) air conditioning!

The dates of the 2015 Princess Pumpalot: The Farting Princess stage show are 6th August to 31st August at 11am daily (apart from 24th to 28th August). The space we are performing in is called International 1 (115 seats).

Tags: Festival
 

The Quest For the Super-Bean

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On Saturday the 7th February 2015, as part of National Library Week, we had the opportunity to perform the first public reading of our new adventure - Princess Pumpalot The Farting Princess & Guffy in the Quest for the Super-Bean (by Robin Mitchell).

It was good to test out the script in front of a lively audience. We're delighted to report back that everyone laughed in the right places and many took part in the group participation. Thanks to all who attended.

Tags: Festival
 

University of London Screening

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A Tale of Two Syrias (Director Yasmin Fedda) was screened recently at SOAS, University of London in the department of Anthropology and Sociology. Yasmin was on hand to answer questions at the end of the screening.

SOAS, University of London is the only Higher Education institution in Europe specialising in the study of Asia, Africa and the Near and Middle East. SOAS is a remarkable institution. Uniquely combining language scholarship, disciplinary expertise and regional focus, it has the largest concentration in Europe of academic staff concerned with Africa, Asia and the Middle East.

A Tale of Two Syrias offers a unique perspective on what the dream of freedom means to two very different people in the face of a brutal regime, offering a vital snapshot of life in the year before Syria’s uprising.

 
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